Disney’s animated film “Hercules” is now a stage musical. But the production, running for only one week at the Delacorte Theater in Central Park, is quite different from previous adaptations…featuring nearly 200 cast members, it took a herculean effort to bring it to fruition. Roma Torre has the review.

Fans of Disney classics have been pretty spoiled of late with so many wonderful productions adapted for Broadway. So, it is necessary to put a caveat in place when considering Disney’s latest theatrical venture—Hercules. It’s a co-production of the community based Public Works and the Public Theater. And that means it’s a blend of amateur and professional performers. In fact, out of 200 in the cast, only eight are members of actors equity. No need for disappointment though because while it’s less polished than a Broadway production, there’s a special inclusive charm to the work proving that anyone can be an artist. 

Make no mistake, this is a professional production thanks to the key players and of course the creators behind the animated film. The great score by composer Alan Menken and lyricist David Zippel is all there plus some catchy new tunes. And it’s directed by Public Works founder Lear deBessonet, who’s become an expert at finessing crowd control on a live stage. She threw everything but the kitchen sink into the show including a HS marching band and an ensemble ranging from kindergartners to senior citizens, not to mention giant puppets as the various monsters entering and exiting with ease. But with it all, chaos is not a factor here. 

And thanks to the adapted script by Kristoffer Diaz who threw in some pointedly topical references like affordable housing, unemployment and even Broadway’s “Hamilton,” we laugh as we appreciate the added relevance. My only qualm is a changed plot point that makes absolutely no sense. Note to Disney: Hercules needs his strength back to defeat the Titans.

Jelani Alladin in the title role is a terrific choice. Buff and commanding, he also reveals the strength of heart that, the story tells us, makes a true hero. 

The five narrating muses, looking and sounding just like their animated counterparts, are thrillingly embodied by a mix of pros and amateurs.

Phil, memorably voiced by Danny DeVito in the movie, is here played by James Monroe Iglehart, the Tony-winning Genie in Aladdin and he displays more of his stage magic here.

As Herc’s feisty love interest Meg, Krysta Rodriguez is one tough cookie with a soft center. 

Special mention to Jeff Hiller as Hades’ hilarious sidekick Panic.

And all hail the incomparable Roger Bart breathing fiery life into that snarky blue-haired god of the underworld, Hades.

More than theater, Hercules is an event—an entertaining mission of the highest order requiring a level of talent and commitment that is nothing less than heroic.